Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts

Tuesday, December 21, 2010

Notes from Bizarroland 5: Nearing One Month


Ma and I descended upon the homeland yesterday. Homeland in two senses: the house and the neighborhood. The house in which I grew up, in which the vast majority of my parents’ life together played out. The neighborhood is a humdrum borderland that we always called Forest Hills but that is apparently within the bounds of Rego Park. It may have been considered part of Forest Hills decades ago. The problem is that the house in which I grew up, which before it was my parents’ belonged to my maternal grandparents – a Slavic immigrant couple who met in New York during the depression – resides right near the boundary separating Rego Park and Forest Hills, these neighborhood designations in Queens that may or may not have significance now but that linger on as reminders of the collection of towns that made up western Long Island before the consolidation of the five boroughs. So I spent the earlier part of my youth saying I was from Forest Hills, and then sometime during my adolescent years I acquiesced and admitted I grew up in Rego Park – a name that for those in the know carries considerably less cachet.
            In any case, the “homeland” – this neighborhood that contains buildings I’ve looked at since infancy, this place I still call “home” in spite of increasing feelings of alienation I feel at the changes in the local landscape. Where there is now a mall containing Sears, Marshall’s, and other stores there used to be a monolithic branch of the old NYC department store Alexander’s. Before there was a discount dollar store of some sort on Queens Blvd. there was a Nobody Beats the Wiz. Before the Wiz there was…I can’t remember now… Ben’s Best Delicatessen is still there, serving classic New York Jewish deli fare.
            Within the neighborhood there are streets I walked hundreds of times with both grandmothers, my mother, my father. Over the past few years, each time I’ve visited my parents’ house I recognized fewer and fewer of the neighbors on the block – a block like many others in Queens, made up of red-brick connected row houses, these a bit larger and admittedly nicer than similar blocks elsewhere in Rego Park, Astoria or Sunnyside. Last year the next-door neighbor Helen died at a ripe old age of…hmm, don’t know…shortly after my grandmother Jean did. Her daughter still owns the house next to ours, and I guess that makes her and my mom the longest-term current residents on that block.
            Something about Rego Park – my section of it, started to annoy the shit out of me since I moved out in 2005. The increasingly chintzy storefronts, the motley folks bumbling around, the disappearance of restaurants and stores that should have remained, if only for my sense of continuity. Yet as much as the damn place annoys me, I can’t loathe it. It’s too much about me, so when I look at it and feel disdain for it I’d be feeling disdain for myself too.
            The house itself is now a large brick-and-mortar ellipsis for me, the gradual process of my parents’ move out of it and fully into their new house in Tucson having been interrupted by the revelation of Dad’s terminal cancer. Of course walking through it yesterday there were memories. Of course. While my mom sorted through mail, I found myself looking for artifacts proving Dad’s existence. I knew where to find his notebooks from about ten years ago – artist journals, I guess you’d call them, into which he pored out all kinds of mental activity, some insightful and beautiful, some morose and tiresome. The red-and-black ink drawings still strike me as brilliant: garish caricatures of people both real and imagined. I slowly read through some of his writings, laboriously deciphering his horribly messy hand. It occurred to me that I might be eavesdropping, invading his privacy by reading these jottings, but somehow I didn’t feel any guilt of trespass.
I won’t lie; a lot of the writing conveys a keen feeling of depression, of anxiety about how to go through life. Not only did Dad mull over his own tribulations, he wrote out his sympathy, sometimes pity, for family and friends – a piece describing his observations on the neglect of his half-sister by other relatives, an entry pondering the bullshit of the W. Bush regime via worrying about my oldest friend’s being called to duty for the Iraq invasion of 2003. My friend, and my dad sat there scribbling out his worry for him. Well, sure, why not. I mean he treated the guy like a fucking nephew since sometime in high school, and the guy came out to see the old man, full well knowing it might be to say goodbye before Dad kicked it.
Then there were the photographs. I just started to look around through the many MANY photos my mom took over the years, knowing I was looking for images of Dad. I found a good deal – photos from the late 80s and early 90s, photos of trips to Vermont, Florida, pictures of my dad’s 50th-birthday celebration in 1992 with some of our Czech relatives with us in Queens. Photos of both of my grandmothers, Anna (my mom’s mother) already suffering the symptoms of Alzheimers’ in 1990, though you can’t see it in the images. Anna, looking healthy (as she physically was) at age 78; Jean with a head of almost all-brown hair at age 74. Photos of Dad looking spry at 45, 48, 50. Photos of Dad and me – he a slim man in early middle age, thick dark hair on his head; me an incredibly dorky 10-year-old, with baggy pants and a baseball cap the diameter of which fit my head but still looks outsized on me. I had read some stuff in his journals from 1999, stuff about how he realized he needed to let me live my own life, about how at age 19 I was grown up (I’m sure he later realized that I was anything but grown up, even if I thought I was), about how he still wanted to help prevent me from making the mistakes he had made. Quintessential concerns of a father, perennial hopes for the good fortune of his son. 
So I spent a couple hours being an archaeologist of my own past, of my father’s life and past, of my family’s past, of the house, the neighborhood. Whatever.
The thing is, with all the feelings of futility and fatigue brought on by this archaeology, this recollection, there is so much I want to tell you…
There’s so much I could tell all of you out there about the crazy and hilarious interactions Dad had with the neighborhood freaks and goons: Chester, the homeless guy who gradually went more crazy over the course of a few years, who started to bend the windshield wipers on peoples’ cars, whom our neighbor Abe wanted to pulverize with the help of my dad; “FBI,” the fucking maniac who walked the streets of Rego Park screaming out “I’m FBI, don’t mess with me!” or things like that, and who then actually got shot by a Central-Asian Mafioso (they started to pop up with the influx of Bukharian Jews into Rego Park during the 1990s) for yelling his bullshit, a mobster paranoiac who actually thought “FBI” was yelling it at him, warning him that he was in trouble; the bizarre conversations Dad had with The Late-night Streetwalker, a neighbor on the block who will remain nameless, who spewed vitriol about his family and about the revenge he would exact upon anyone who dared block his driveway. These people all existed.
There’s so much I could tell you, so much I want to tell you, about how I remember all those games of catch, how I too remember the time you played basketball with me and my teenage friends, when I made that one basket that won the game – that game you scribbled about years after it happened; about how much I enjoyed watching those Marx Bros. movies for the first time with you, how it opened up whole worlds of laughs and ideas when you showed me the Marx Bros., the Pink Panther movies, W.C. Fields, how even though you annoyed the shit out of me at times in Tucson this past year I still wanted to laugh with you at the Marx Bros. and Louis C.K.; about how I remember that you taught me how to understand baseball and basketball, these rituals of fathersonhood, these rituals of Americana, those hours we looked up all kinds of shit in the huge baseball encyclopedia you bought in probably 1993, the year the Mets sucked more ass than we thought possible, the year the Knicks were great but not great enough, the year the Phillies caused you agony when Mitch Williams completely blew it, “CHOKED” as you talked about at length, fucked it all up and gave up the Series to the Blue Jays…
Now, and for the past four weeks, I have so much to tell people about, so much to tell you…so much to tell…
And I wonder who it is I’m telling, and, for that matter, who’s really doing the telling.

Thursday, October 1, 2009

AUM Fidelity Showcase: Oct. 15

On the night of October 15, you will be able to listen to live performances by David S. Ware, William Parker, and Darius Jones. Have I got your attention now? Hopefully. Yes, I'm plugging another live jazz event. Yes, again it's of my own accord.

The AUM Fidelity recording label (like Clean Feed, an absolute stalwart among independent jazz labels) will present a one-night showcase featuring a triple bill. Click here for more info.

SUPPORT LIVE MUSIC

SUPPORT EXPERIMENTAL ART

SUPPORT INDEPENDENT RECORD LABELS

Come to this concert.

Tuesday, September 1, 2009

Coming Soon to NYC: Clean Feed Festival!


For my money, Clean Feed Records is one of the very best jazz labels in existence today (and, believe it or not, there are A LOT of jazz labels out there). When you buy a CD from them, you get the total package: great music from great musicians (be they veterans of a jazz scene in the US, Europe or Japan, or "up-and-comers" who might be getting a first chance at making a record, Clean Feed seems to have a sixth sense about picking out the music most deserving of documentation), beautifully-recorded sound, AND beautiful cover art & packaging (for a devotee of the album like myself, this last part matters too). The Clean Feed catalogue is large (especially considering that this independent jazz label began in 2001) and extremely diverse stylistically.


Of my own accord, I want to plug the label's upcoming showcase in New York City. You can find all the info here:

http://www.cleanfeed-records.com/festivalpdf/


Folks who live in the NYC area and care about jazz: you WILL NOT be disappointed if you attend this. (I stand by this guarantee.)

Sunday, August 30, 2009

Living with Noise

I sometimes sit at our desk and look out the unusually large window that provides views of Broadway, a large playground tucked next to the base of an even larger apartment development, 135th Street, the 1 Train tracks emerging from the ground. Sounds of machinery and traffic from the street are constant: the wrenching, guttural growl of motorcycles with mufflers removed, the raucous clatter as potholes throttle the chassis and contents of cargo trucks, the hard clangs of metal smashing against metal as subway cars roll over the 1-Train elevated tracks.

Hearing these sounds I often feel the iron, steel, concrete, asphalt; there can be an almost brutal physicality to the sound. The clang of the subway tracks buzzes against my teeth. I sometimes have morbid daydreams in which I imagine the trucks that barrel (seemingly all too fast) down Broadway losing control, smashing into other vehicles, people, street lamps, steel wrenching against bone. Horrid visions, I know. I experience the street sounds as a demented sonic reincarnation of the modernist conception of the city as an entity of machinery, metal, constant motion.

There are other ambient sounds too. My wife and I sometimes hear the yells and whoops of Friday- and Saturday-night revelers. Then there are the vibrations which emanate from our floor on random late mornings or early afternoons - bass vibrations of reggaeton, merengue, salsa. As in any apartment building, I might hear an occasional bit of yelling in the hallway, a snatches of families arguing may reach me through the bathroom vent or the other side of a wall.

Considered cumulatively, these sounds can sometimes grate on me. I grew up in a residential and relatively quiet sections of Queens. The major instance of "noise pollution" was the intermittent airplane passing overhead (my parents' house is underneath a flight route for LaGuardia Airport). There might be an oil or delivery truck now and then - but no subways, very few motorcycles, no bus brakes hissing and squealing. The few years I spent in North Carolina may have weakened my ambient sound tolerance. Friends and relatives asked me if the quiet was unsettling or disturbing to me, as a city boy. I had to admit that it was a noticeable change at first, but a pleasant one, similar to the aural "breathing room" you might suddenly feel when a refrigerator that has been cooling its contents suddenly shuts off and you are left with a palpable moment of quiet.

Most of the sounds, I realized soon after moving into our current apartment, are simply out of my control. Am I going to call up the MTA and tell them that their buses make too much noise? Will I campaign for prohibiting commercial vehicles on Broadway? No. And I don't begrudge the weekend debauchees their good times (I've been known to seek those out myself now and then). I wouldn't think of complaining to neighbors or the super about loud music - it's played during waking hours, and, given my predilection to occasionally blast free jazz, soul, or even a nice loud Mahler symphony, I'd probably be throwing stones from my glass house.

A visit from the building superintendent last week informed us that, perhaps without realizing it, my wife and I are throwing a few stones. Tenants in the building have been complaining about the noise our dog makes when we walk him through the lobby. Apparently some have also been uncomfortable with the often feisty (and, admittedly, sometimes annoying) manner of our small terrier/chihuahua mix. He may weigh 15 lbs., but his bark weighs at least 50.

For a couple days after the visit from the super, I stewed with insult and indignation. Scenarios of confrontations with the super and other tenants played perpetually in my mind. "Hey Gerry [our super], I know our dog barks but I can't exactly sit him down and tell him he needs to stop. But neighbors who stuff the garbage chute with poorly-tied trashbags until it's overflowing and the hallway stinks CAN help it - why don't you get on their case?" "Oh, my dog can walk. Why am I carrying him through the lobby? Because some people in this building think he's a ferocious beast."

In an effort to calm myself down, I became philosophical about the whole thing. My retaliatory feelings reminded me of Ralph Ellison's classic essay "Living With Music." In this essay, Ellison describes a battle of sounds in his apartment: when noise from the street and especially the sounds of a singer practicing got to be too much for Ellison to bear, he decided to fight back with a little sound of his own, blasting music on his stereo system in response to loud vocal exercises from the singer in his building. Reading over Ellison's essay helped my state of mind a bit.

Then I got to thinking about what kinds of noises and sounds are permissible in an apartment building. Now I have to tell you that we are the only pet owners in our building (as the super reminded us). This we found out only after we moved in. It immediately caused us some anxiety. We had been concerned about what tensions might arise from our being the first pet owners in the building, and now it seemed our concern was warranted. The body language and manner of more than a few of our neighbors has told me that they are unnerved, annoyed, perhaps scared, perhaps even disgusted by our dog. Then there are those tenants who see the pooch and do not become alarmed, who let him gingerly approach, his ears folded back, and sniff their legs, perhaps even give him a quick pat on the head, and find that his barking has ceased.

Perhaps the question becomes more broad - which kinds of tenant practices are tolerated, and which are censured? Were I to take a combative stance about the situation, I might begin to call out neighbors whose children are screaming in the stairway (which often causes my dog to bark). I might complain about tenants consistently littering the hallways and stairways with bits of food, containers, wrappers. It could me my own version of what Ellison called "fighting noise with noise."

But for now, my wife and I carry our dog through the lobby. It not only prevents any possibility of him tugging at the leash, trying to approach a neighbor to disable them with a ferocious sniff or lick. It also keeps him quiet - I think he might feel a bit emasculated by being carried. He certainly cannot convince himself that he's leading the walk if he's in our arms. So, at least for a while, maybe the noise that will best sound my indignation at having my dog preemptively criminalized is the deafening clamor of no barks at all.


Thursday, August 27, 2009

Crowds (Gentrification in medias res V)


In case you thought I'd forgotten about the photo essay...



Incident at 135th Street & Broadway
Early morning, 26 July 2009


Motorcycle Gang Based in Harlem
(corner of 125th Street & Broadway)

p.s. I never did find out what occurred at the corner of 135th St & Broadway on the night of July 25th/morning of July 26th; one possible explanation, though I have a hard time believing it caused all the police vehicles, is this:

http://www.nypost.com/seven/07262009/news/regionalnews/off_again__inn_again_181461.htm


Thursday, July 30, 2009

Lunchtime Recess at I.S. 195 (Gentrification in medias res III)







IS 195 is a public school occupying the ground floor of 3333 Broadway (see "Gentrification in medias res I").

Tuesday, July 28, 2009

Riverside Dr and 12th Ave (Gentrification in medias res II)

I took the following pictures this morning while walking my dog.

136th St & Riverside Drive


142nd St betw Riverside & Bway


12th Ave near the 138th St underpass


12th Ave near 138th St


Corner of 12th Ave & 135th St


Eyes in the sky, 134th Pl & 12th Ave


Saturday, July 25, 2009

On 133rd Street (Gentrification in medias res I)

Recently, certain visuals - objects, views, juxtapositions - around my neighborhood have struck me as vividly portraying the complex process known as "gentrification." Taken collectively, they might serve as a report on my impressions of the gentrification taking place in West Harlem - its indicators and its ramifications. I'll be using my next few posts for (what I'm pompously deeming) a photo essay about the gentrification of the Manhattanville and Hamilton Heights neighborhoods in New York.



The building bearing the "3333" sign was taken off Mitchell-Lama status in 2005. Read more here.

View of 133rd St & 12th Avenue




Monday, May 4, 2009

Getting Back On(Off) the Wagon

Okay, okay. I know, if I'm going to maintain a blog of any respectability, I need to post with some regularity...more than once a year, anyhow. In the interest of achieving that goal, and also as a way to get me to begin to formulate some of my thoughts about my dissertation project, I'm going to begin to share some thoughts about my research (we'll see how long this lasts - hopefully at least 4 weeks).

I've been going to hear jazz performances quite often here in NYC since the middle of January. More and more, I find myself going to performances of - call it what you will - "free jazz" "avant garde jazz" "out jazz" "creative music" "experimental jazz". This has been a large part of my ethnographic fieldwork so far. (If you're thinking, "Wow...what difficult work" with a wry grin on your face, you are not alone.) My most regular hangout has been the Local 269 - a bar on E Houston St, a bit west of Avenue B. They're hosting a weekly Monday-night session organized by RUCMA (Rise Up Creative Music and Arts) that often features stalwart NYC free players (check out the schedule here: http://rucma.org/ ). I'm finding some ethnographic "gold" here - a group of regular audience members (including musicians) who convene here, and who know one another.

I've also been trying to figure, as I go along, what the hell fieldwork is. I try to take notes (in my not-so-slick little maroon-covered notepad, with part of its price sticker still left on, due to my laziness and unwillingness to completely scrub the sticker off), but I constantly wonder if what I'm writing down will help me write up good fieldnotes, and if those fieldnotes will be at all usable when I start trying to write dissertation chapters. I'm also constantly plagued by feelings of self-consciousness about the presence of the notepad itself ("Are people looking at what I'm writing? Did I offend that guy sitting near me by glossing him as 'mid-age, white male - nodding head vigorously'? Are those even worthwhile observations for me, the researcher?" Thankfully, the following book tells me I'm not alone in these feelings: http://www.amazon.com/Improvising-Theory-Temporality-Ethnographic-Fieldwork/dp/0226100316/ref=sr_1_1?ie=UTF8&s=books&qid=1241461345&sr=1-1
This is a kind of "chicken soup for the ethnographer's soul." It presents an email correspondence between a grad student "in the field" and one of her committee members back at the university. They talk about things like: feeling awkward when talking to informants, doubting that you're actually finding anything out, feeling stupid when you realize that your original questions and research plans are turning out to be beside the point, etc. I recommend it (as my advisor did for me) to anyone who's about to set out on ethnographic fieldwork.

Saturday, April 26, 2008

Regarding Sean Bell

I haven't really formed my thoughts on the disgrace of Sean Bell into a coherent interpretation, but the following two blog posts speak pretty well to the issue, and I submit them for your consideration:

http://sherealcool.blogspot.com/2008/04/another-acquittal-is-our-living-in-vain.html

http://newblackman.blogspot.com/2008/04/kevin-powell-on-sean-bell-verdict.html

There's a phrase spoken by Jimmy Breslin at the beginning and end of Spike Lee's Summer of Sam: "New York--the city I love and hate equally." This always struck me as a completely comprehensible statement, especially in its self-centered logic. I'm willing to grant the stereotype a degree of veracity: New Yorkers can be a self-absorbed lot. But NYC comes by its "center-of-the-universe" status honestly; New York is the place where a lot of the shit (good and bad) goes down. "Love/hate" for Breslin, and usually for me too, but right now it's more "shame/disappointment."

Post scriptum:
The title of my April 8th blog post now carries a bitterly ironic ring, doesn't it?